Two of the films, The Wicker Man (Robin Hardy, 1973) and ‘Don’t Look Now’ (Nicolas Roeg, 1973), were backed by the struggling independent British Lion. It draws upon the reports filed by Film Finances’ assessor John Croydon to the Chairman Robert Garrett, and correspondence between Film Finances and the films’ producers, as well as scripts, schedules, daily progress reports and budgetary information. This article examines three British films made at Shepperton Studios in the first half of the 1970s.
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